Transformation Practice-The World
2023
H34.5*L17*W20 (cm)
H24*L16*W16 (cm)
H13*L20*W24 (cm)
Ceramics
The World
2023
93*69 (cm)
Drawing on Paper
This creative approach is an extension of my previous work. However, whereas before I used watercolors for the surface, now I've utilized entirely ceramic materials. The content within the artwork stems from my observations during visits to the World Park – various landscapes and symbols that I've processed in my own way. The process involves initial drawing followed by sculpting.
A crucial aspect here is the transformation from two-dimensional to three-dimensional. Working with clay sculpture poses a gravity-related challenge. Each one is formed from clay slabs, similar in size to a sheet of paper. After drawing on this slab to approximately match the drawing, I stand the slab up. From there, I carve inwards from the lines of the drawing or extend them outward, gradually creating the image we see now. It's not just about looking at a painting and molding based on that; there's a logic of "making" involved.
In certain sections, glass is also incorporated, evoking the sensation of liquid in a wine glass. Some small symbols, like the stylized trees found in Western gardens, the obelisk in D.C., and even flower heads reminiscent of fountains, along with lightning-like motifs, akin to the sudden appearance of warning signs in Western-style Chinese parks that caution against getting close to certain areas due to electrical hazards. These aspects, including the juxtaposition of Western-style architecture with Chinese trees in the park, and the presence of artificial rock formations beneath some willow trees, create an intriguing sense of displacement resulting from the convergence of various cultures.
